This one is quite an important one for Moffat worldbuilding:
More information about and character development for River Song
Lots more information and development of the Weeping Angels
The introduction of Moffat's version of The Church
The Crash of the Byzantium as referenced in Silence in the Library/Forest of the Dead
Even a reference to the Headless Monks.
Amy begging the Doctor to let her see a planet and his reluctant agreement seems like a dig at RTD's first season having no planets except Earth
River's dialogue about the Doctor going all baby-faced implies she must have met Ten multiple times, presumably during the Specials. Moffat's novelisation of Day of the Doctor confirms this
I think this two parter really brings out Amy's inner child and emphasise her role as the girl who never grew up (until the last scene) and contrasts this with Eleven's older, grumpier nature and makes them work really well as a team
This one gives a real sense of how big the Doctor's become, and starts to justify how Eleven can get away with moments like the end of the Eleventh Hour - "I'm the Doctor. Basically: run." This builds to moments like his speech in The Pandorica Opens, and culminates in A Good Man Goes To War in the following season.
The whole 'walk like you can see and they won't get you' scene is a real disappointment to me - it seems like a ridiculous idea that really shouldn't work, and seeing the Weeping Angels move kind of undermines them and what made them special
Overall, this is a mostly very good two parter. It's very overshadowed in my memory though by the Amy scene at the end that's a very different tone to the rest of it.
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